中國(guó)歐洲藝術(shù)中心埃米莉攝影個(gè)展《旅行日記》11月26日下午五時(shí)開(kāi)幕

本周11.28—12.0412.05—12.11共1場(chǎng)(11月21日-11月27日)周六(11月26日)13:00-17:30共5場(chǎng)(11月28日-12月04日)周二(11月29日)13:00-17:30周三(11月30日)13:00-17:30周四(12月01日)13:00-17:30周五(12月02日)13:00-17:30周六(12月03日)13:00-17:30共6場(chǎng)(12月05日-12月11日)周一(12月05日)13:00-17:30周二(12月06日)13:00-17:30周三(12月07日)13:00-17:30周四(12月08日)13:00-17:30周五(12月09日)13:00-17:30周六(12月10日)13:00-17:30
活動(dòng)地點(diǎn)：廈門思明區(qū)思明南路400號(hào)三樓中國(guó)歐洲藝術(shù)中心（黑糖咖啡斜對(duì)面）
活動(dòng)類型：展覽

活動(dòng)內(nèi)容：
活動(dòng)詳情
旅行日記
埃米莉 胡蒂（荷蘭）

開(kāi)幕式：2016年11月26日周六下午五時(shí)
展期：2016年11月26日至12月10日
開(kāi)館時(shí)間：周二至周六 13.00 – 17.30

電話/傳真：0086 592 2180850 86 0 13695046247
福建省廈門市思明南路400號(hào)三樓中國(guó)歐洲藝術(shù)中心
info@ceac99.com www.ceac99.orgwww.emiliehudig.com


中國(guó)歐洲藝術(shù)中心十分榮幸地宣布荷蘭藝術(shù)家埃米莉 胡蒂旅行日記開(kāi)幕。
這是藝術(shù)家首次在中國(guó)的個(gè)展。

在中國(guó)歐洲藝術(shù)中心的藝術(shù)家駐地期間，埃米莉 胡蒂創(chuàng)作了一段旅行故事。
這段故事與悠久的傳統(tǒng)旅行日記有關(guān)，它可以追溯到16世紀(jì)，著名的荷蘭船長(zhǎng)威廉?愛(ài)司伯朗森?班德固寫的關(guān)于中國(guó)南海的航行日記。

她的出發(fā)點(diǎn)更多地遵循文學(xué)流派的“假想旅行故事”，其中由丹尼爾?迪福創(chuàng)作的魯賓遜?克魯索最負(fù)盛名。作為一個(gè)同時(shí)具備紀(jì)實(shí)性和詩(shī)性本體的攝影師，胡蒂受到了迪福的啟發(fā)，因?yàn)樗尅罢鎸?shí)看起來(lái)像虛構(gòu)，而虛構(gòu)看起來(lái)像真實(shí)”。在她的“假想旅行故事”中，胡蒂探索客觀和主觀之間的關(guān)系，直覺(jué)和創(chuàng)造力在描繪現(xiàn)實(shí)的關(guān)系中的作用。

單詞“itinerary（旅程）”來(lái)自拉丁語(yǔ)itinerarǐus，它意味著在軌跡上的各個(gè)點(diǎn)的序列，它沒(méi)有最小或最大的時(shí)間長(zhǎng)度，有的只是沿途的可以找到的地方，站點(diǎn)和偶遇。胡蒂對(duì)沿途的“意外”特別感興趣。 關(guān)于她的作品，她如是說(shuō)道“我尋求完美的偶遇，我想象中的完美缺陷。 神奇和神秘。對(duì)我來(lái)說(shuō)，是生活的隱喻。至少我的生活是這樣。”

1973年出生于荷蘭鹿特丹。她曾就讀于阿姆斯特丹大學(xué)文化人類學(xué)和媒體文化專業(yè)，并在阿姆斯特丹攝影學(xué)院學(xué)習(xí)紀(jì)實(shí)和肖像攝影。2009年，她的書籍《控制 | 控制中》獲得“Zilveren Camera”年度攝影故事獎(jiǎng)項(xiàng)。胡蒂的作品與項(xiàng)目曾在FOAM3h，van Loon美術(shù)館，法國(guó)阿爾勒國(guó)際攝影節(jié)展出，并多次獲得蒙德里安基金會(huì)和阿姆斯特丹藝術(shù)基金會(huì)的藝術(shù)項(xiàng)目支持。


旅行日記：一個(gè)關(guān)于旅行的故事

周一

也許我能像著名的荷蘭船長(zhǎng)威廉?愛(ài)司伯朗森?班德固一樣開(kāi)始我的旅行故事，他在十七世紀(jì)曾航行至中國(guó)南部的海域。鹿特丹港市Emilie Dirks的女兒胡蒂的中國(guó)行的難忘日志涵蓋了許多她在那兒的神奇見(jiàn)聞和經(jīng)歷。


周二

我在一個(gè)書店買了一些舊書。一本是《格列佛游記》，里面的字很小，我根本沒(méi)法讀。我查了它的主要情節(jié)。《格列佛游記》說(shuō)的是當(dāng)代的疏離，以及某個(gè)個(gè)體數(shù)次未能融入他不屬于的社會(huì)。


周三

我在我的筆記中讀到，但丁認(rèn)為每段旅程都是內(nèi)心的旅程。


周四

我查了 Itinerario這個(gè)詞的意思。它源于拉丁語(yǔ)的itinerarǐus，意為“軌跡中一系列不同的點(diǎn)，在這條路線上，沒(méi)有涉及地點(diǎn)、停頓和意外事件的最短或最長(zhǎng)時(shí)間。


周五

我告訴自己：停止閱讀、購(gòu)買、制定通往你內(nèi)心的旅程！
必須要去工作了！


周六

我上路了，遇到一只鞋。我們一起走了一段。


周日

我聽(tīng)到鄰居在彈鋼琴。她唱著中文歌，我們?cè)诜块g里能清楚地聽(tīng)到她動(dòng)人的嗓音。我聽(tīng)不懂她在唱什么，但感覺(jué)很愉悅，讓我仿佛回到了家中。


Itinerario: a travel story
Emilie Hudig (The Netherlands)

Opening: Saturday November 26 at 5 PM
Duration: November 26 till December 10, 2016
Open: Tuesday to Saturday 13.00 – 17.30
Chinese European Art Center, 3rd Floor, Siming South Road 400, Xiamen
Tel/Fax: 0086 592 2180850 Mobile: 86 0 13695046247
info@ceac99.com www.ceac99.orgwww.emiliehudig.com


Chinese European Art Center is pleased to announce Emilie Hudig
Itinerario: a travel story. This is the artist’s first solo-show in China.

During her artist in residence at the CEAC Emilie Hudig made a travel story. Inspired by a long tradition of travelogues and journals, which goes back to the 1600’s when the famous Dutch skipper Bontekoe wrote about his voyages to the South Chinese Sea.

Her approach follows the more literary genre of the ‘imaginary travel story’ of which Robinson Crusoe by Daniel Defoe is perhaps the most famous. As a photographer with both a documentary and a poetic body of work Hudig is inspired by Defoe because he made ‘truth seems like fiction and fiction like truth’.

In her ‘imaginary travel story’ she is exploring the relationship between objectivity and subjectivity and the role of intuition and creativity in relationship to depicting reality.

The word itinerary comes from the latin, itinerarǐus, it means a sequence of various points on a trajectory, it doesn’t have a minimum or maximum length of time and includes places, stops and accidents that can be found along the route.

About her work she says: ‘I am especially interested in the ‘a(chǎn)ccidents’ along the route. I seek for the perfect accident, the perfect imperfection in my images. Magical and mysterious. For me, a metaphor for life. At least my life.’

Born in 1973, Rotterdam, Netherlands. She studied Cultural Anthropology and Media and Culture at Amsterdam University and documentary and portrait photography at the Photo academy in Amsterdam. In 2009 her book ‘Control| In Control’ was awarded the prestigious Zilveren Camera, photo story of the year. Hudig has exhibited in: FOAM3h, Museum van Loon, Les Rencontres d’Arles and received multiple grants from the Mondriaan Fund and the Amsterdam Fund for the Arts for different projects.





Itinerario: a travelstory.

On Monday
Maybe I can start my travel story, just as the famous Dutch skipper Bontekoe who sailed the South Chinese Sea in the 1600’s. ‘Journal of the memorable descriptions of the China journey of Emilie Dirks’ daughter Hudig of Rotterdam. Consisting of many miraculous things that she saw there and that happened to her’.

On Tuesday
I buy some old books in a bookstore. One is a copy of Gulliver’s Travels with letters so small that I can not read it. I look up the main theme. ‘Gulliver’s Travels is about modern alienation and an inbridual’s repeated failure to integrate into societies to which he does not belong’.

On Wednesday
I read in my notes that according to Dante, each journey is an inner journey.

On Thursday
I look up the meaning of Itinerario. It comes from the latin, itinerarǐus, and means ‘a(chǎn) sequence of various points on a trajectory, without a minimum or maximum length of time including places, stops and accidents that can be found along the route.’

On Friday
I tell myself: stop reading, buying and making journeys to your inner self! It is time to go and do the work!

On Saturday
I hit the road and meet a white shoe. For a while we walk along together.

On Sunday
I hear my neighbor playing on the piano, she sings along in Chinese and her beautiful voice resonates in our apartment. I don’t understand what she sings but it puts me at ease and makes me feel at home.


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