張口閉口OPENMOUTHCLOSEDMOUTH

活動詳情

開幕：2017年12月16日周六下午五時
展期：2017年12月16日至2018年1月6日
開館：周二至周六 13.00至17.30
地址：廈門市思明南路400號三樓中國歐洲藝術(shù)中心
電話：+86(0) 13695046247 / +86(0) 592 2180850

Opening: Saturday December 16 at 5 PM
Duration: December 16 till January 6, 2018
Open: Tuesday to Saturday 13.00 – 17.30
Venue: Chinese European Art Center, 3rd Floor, Siming South Road 400, Xiamen
Tel/Fax: +86(0) 592 2180850
Mobile: +86(0) 13695046247


中國歐洲藝術(shù)中心舉辦了意大利年輕藝術(shù)家Giuseppina Giordano的首次個展。在廈門為期三個月的駐館中，他完成了三件反映“有差別的一對”概念的新作品。一對不是同一件事物的重復(fù)，而是與另一方的交匯，并且將其作為“互補(bǔ)”原則的共同靈感領(lǐng)域。在Giuseppina Giordano的新作中，西方和東方文化的符號和意義都找到了一個新的結(jié)構(gòu)，一個新的寬闊而有益的視角。

The Chinese European Art Center presents the first solo show of Giuseppina Giordano, a young Italian artist, which in the three months of residence in Xiamen has realized three new works that reflect upon the concept of a “non identical double”, where the double is not the duplication of the same, but the meeting with the other, and that have as a common field of inspiration the “complementary” principle. In Giuseppina Giordano's new works the symbols and meanings of both Western and Eastern cultures finds a new structure, a new broad and auspicious perspective.

“開口/閉口”是展覽的標(biāo)題，也是我們進(jìn)入展覽空間時的第一個作品。這對巨大的黑色絲綢制成的充氣體是寺廟守護(hù)者中國石獅子的混合體。它們幾乎關(guān)閉了通道，成為展覽的一個脆弱的有形障礙。它們嘴巴的位置，張開和閉合，都與遍布亞洲的各種意義有關(guān)：在中國，寺廟的守護(hù)者是一男一女，在日本，“狛犬”的張嘴和閉嘴意即生和死，呼氣和吸氣。無論如何，它們總是代表著相反的兩種情況。

“OPEN MOUTH/ CLOSED MOUTH” is the title of the exhibition, but it is also the first work we find when entering the exhibition space. This couple of giant black silk made inflatables are an hybrid mix of Chinese stone lions, the guardians of the temple. They almost close the access, becoming a fragile physical impediment to the exhibition. The position of their mouth, open and closed, is linked to a variety of meanings throughout Asia: in China, the temple's guardians are a female and a male, in Japan the open and closed mouth of "Komainu" refers to life and death, exhale and inhale. In any case, they always represent a couple of opposite.
Of all things living…, lighted sign, 40x70x40 cm, 2017移除 Of all things living…, lighted sign, 40x70x40 cm, 2017


“雙重凝視”是兩個女人真人大小的攝影雙連畫。根據(jù)我們從右到左還是從左到右閱讀的差異，每張照片中的女人都會給臍帶打結(jié)或松開臍帶。來自Lucas Cranach的夏娃是這件作品的靈感框架，它在這里化成了一個振蕩點(diǎn)，一個被定義但意義并不固定的東西，并與中國的對等事物糾纏在了一起。

"double gaze" is a photographic diptych printed life size of two women. In each picture a woman knots or loosens an umbilical cord depending on whether we read from right to left or from left to right. Eve from Lucas Cranach, which was the inspirational framework for this work, becomes here a point of oscillation, something defined but not fixed in its meaning, entangling with the Chinese counterpart.

“硬潮（觀音和圣母瑪麗亞盯著大海）”簡單地把海浪和衣服混在了一起。
歷史留給我們的觀音和圣母瑪利亞的雕像，是從后面看的，它們放置的形式使得我們能看到其布料的移動：在海浪溫柔拍打海灘的視頻投影中，一個是直線的，另一個是曲折的。觀音和圣母瑪利亞，都體現(xiàn)了對“最卓越的母親”的愛和憐憫，第一眼看上去被視為佛教徒和基督徒之間的交匯點(diǎn)。

“HARD WAVES (Kuanyin and Virgin Mary staring at the sea) " simply mixes the sea waves with those of the clothes.
The statues of Kuanyin and of the Virgin Mary, that history has given us, are seen from behind and placed in such a way as to make visible the movement of their drapery: sinuous in one, straight in the other, in relation to video projection of the soft breaking of the sea waves on the beach. Kuan yin and Virgin Mary, both embodying love and compassion of a “mother par excellence”, are considered at a first glance a meeting point between Buddhists and Christians.

Double Gaze, Photo Diptych, 65x211 cm, 2017

Of all things living…, lighted sign , 40x70x40cm, 2017, photo credit: Giacomo Monza

A tribute to Takahashi Shinkichi, binaural recording 3:02:35 min, headset, fabric wood,50x

THE EVENT, installation and performance, synthetic hair, stainless steel, 90x250x90 cm, 20

EVA (an attempt for wholeness), Video Installation, size 1:1 of my belly, 5:15 min, 2016

All You Feed Is Love, Maybe, Petri dishes, agar agar, bacteria cultures, plexiglass, 130x1

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